Lambency Flash Diffuser
Posted: Fri Dec 14, 2007 10:14 am
As many of you will know, I've been playing with the Lambency flash diffuser for the last few days. This sort of diffuser fits onto the typical standard accessory flash head that you get from Canon or Nikon (SB800, 530EX etc).
The current versions of the Lambency come with options such as a yellow diffuser, a white ("cloud") diffuser, and a chrome vault.
I've not used the yellow diffuser in these images; it seems to be more for use as a colour correction aid, and there seems to be, when used with the SB800, a slight warming of the tones produced in the images.
Direct flash, D300, Nikkor 85mm f/1.4 at f/6.3
Chrome Vault, D300, Nikkor 85mm f/1.4 at f/6.3
More rounded light and shadows, greater falloff on the background
Cloud Diffuser, D300, Nikkor 85mm f/1.4 at f/6.3
More rounded than direct, but there appears to be some blown highlights. The raw image doesn't show these highlights as being blown, so I suspect that this may be a product of the conversion to jpg. Note the warmer colour rendition.
Direct flash, D300, Sigma 30mm f/1.4 at f/6.3
Chrome vault, D300, Sigma 30mm f/1.4 at f/6.3
More rounded, note the falloff. This is a very wide angle lens, but similar falloff, on the edges, was noted when using a Nikkor 50mm f/1.4
Cloud diffuser, D300, Sigma 30mm f/1.4 at f/6.3
More rounded, warmer tones, no falloff but again, blown highlights. This time, in looking at the raw, the shoulder appears to me to be blown, but Capture NX shows no "lost highlights".
One very interesting aspect of the chrome vault is that its construction incorporates an internal reflector, so that, if you have your flash pointing straight up, a higher portion of your flash output will be directed, diffused, towards your subject. I see this as being a very useful feature.
What I also thought though was that this very same feature - the internal reflector - might also be useful in macro photography.
These final two images have the flash removed from the camera with the camera set to TTL mode, and the flash set to be used as a slave. The lens used was a very old Nikkor 55 micro, which is not compatible with the D300. Therefore, all settings are manual.
However, they demonstrate what I was able to achieve in terms of a simple macro lighting setup. Not a ring flash, nor a replacement for a light tent (for product style shoots) by any stretch of the imagination, but certainly better than many other alternatives, and much easier and quicker to set up.
The current versions of the Lambency come with options such as a yellow diffuser, a white ("cloud") diffuser, and a chrome vault.
I've not used the yellow diffuser in these images; it seems to be more for use as a colour correction aid, and there seems to be, when used with the SB800, a slight warming of the tones produced in the images.
Direct flash, D300, Nikkor 85mm f/1.4 at f/6.3
Chrome Vault, D300, Nikkor 85mm f/1.4 at f/6.3
More rounded light and shadows, greater falloff on the background
Cloud Diffuser, D300, Nikkor 85mm f/1.4 at f/6.3
More rounded than direct, but there appears to be some blown highlights. The raw image doesn't show these highlights as being blown, so I suspect that this may be a product of the conversion to jpg. Note the warmer colour rendition.
Direct flash, D300, Sigma 30mm f/1.4 at f/6.3
Chrome vault, D300, Sigma 30mm f/1.4 at f/6.3
More rounded, note the falloff. This is a very wide angle lens, but similar falloff, on the edges, was noted when using a Nikkor 50mm f/1.4
Cloud diffuser, D300, Sigma 30mm f/1.4 at f/6.3
More rounded, warmer tones, no falloff but again, blown highlights. This time, in looking at the raw, the shoulder appears to me to be blown, but Capture NX shows no "lost highlights".
One very interesting aspect of the chrome vault is that its construction incorporates an internal reflector, so that, if you have your flash pointing straight up, a higher portion of your flash output will be directed, diffused, towards your subject. I see this as being a very useful feature.
What I also thought though was that this very same feature - the internal reflector - might also be useful in macro photography.
These final two images have the flash removed from the camera with the camera set to TTL mode, and the flash set to be used as a slave. The lens used was a very old Nikkor 55 micro, which is not compatible with the D300. Therefore, all settings are manual.
However, they demonstrate what I was able to achieve in terms of a simple macro lighting setup. Not a ring flash, nor a replacement for a light tent (for product style shoots) by any stretch of the imagination, but certainly better than many other alternatives, and much easier and quicker to set up.