Darkest Canberra

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Darkest Canberra

Postby Murray Foote on Mon Apr 20, 2009 10:59 pm

Just thought I might post a few shots of a Sydney blues band i saw playing in Canberra last Friday night at the Old Canberra inn:

Image

Image

Image

Image

Tony Pedrosa and the Hawks. A band with roots that goes back to the Foreday Riders in the 60s. A really great full sound yet not blasting out the eardrums. A great night.

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Murray
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Re: Darkest Canberra

Postby gstark on Tue Apr 21, 2009 8:37 am

That bassist looks vaguely familiar ....
g.
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Re: Darkest Canberra

Postby biggerry on Tue Apr 21, 2009 8:39 am

Nice Murray! the first one is a stand out for its composition! and that fella on bass in the other shot looks vaguely familiar :wink:
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Re: Darkest Canberra

Postby big pix on Tue Apr 21, 2009 11:01 am

gstark wrote:That bassist looks vaguely familiar ....


...... this image could be a contender for POTW...... and maybe called "a crusty old performer" :rotfl2:
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Re: Darkest Canberra

Postby Mal on Tue Apr 21, 2009 1:09 pm

gstark wrote:That bassist looks vaguely familiar ....


Is that a fretless bass? I only know a couple of folks who can play them.... :shock:
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Re: Darkest Canberra

Postby colin_12 on Tue Apr 21, 2009 4:09 pm

Mal wrote: Is that a fretless bass? :shock:


I don't think he looks worried so maybe. :violin:
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Re: Darkest Canberra

Postby Murray Foote on Tue Apr 21, 2009 8:45 pm

A few more details:
Tony Pedrosa (guitar), Gary Sparks (Bass), Henry Sliwka (drums). all Nikon 180mm AF-D, f2.8 6400ISO, 1/80, 1/80 and 1/60 respectively.
The band: Nikon 16mm f3.5 AI fisheye, 1/160 f3.5 25,600ISO, largely de-fisheyed. I didn't need to be at 25,600 as it turns out.
All taken with one of those newfangled digital camera thingys.

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Re: Darkest Canberra

Postby gstark on Wed Apr 22, 2009 3:25 pm

Mal wrote:
gstark wrote:That bassist looks vaguely familiar ....


Is that a fretless bass? I only know a couple of folks who can play them.... :shock:


Mal,

Yep, now you know one more. :P)

It's a 1977 Fretless P, solid neck - no separate fingerboard. I've owned her for over 20 years now. Badass Bridge. Strings are Ernie Ball Group IV - unobtainable here in Oz - I need to get a few new sets in from the USA. The Group IVs are ultra-light, flats, which help to make this a very playable, very nice sounding instrument. I Canberra I was running through an 80W Trace Elliott Combo. 10" driver pushing through a 1" vertical slot in the front of the cabinet. It's the fattest sounding 80W rig I've ever played through.

Murray Foote wrote:A few more details:
Tony Pedrosa (guitar), Gary Sparks (Bass), Henry Sliwka (drums).


Actually, I suspect that the correct name of the bassist might be Gary Stark. :)
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Re: Darkest Canberra

Postby !~DeViNe~DaRkNeSs~! on Wed Apr 22, 2009 7:41 pm

gstark wrote:Actually, I suspect that the correct name of the bassist might be Gary Stark. :)

lol How would one know that :P
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Re: Darkest Canberra

Postby Mal on Wed Apr 22, 2009 9:13 pm

gstark wrote:
Mal wrote:
gstark wrote:That bassist looks vaguely familiar ....


Is that a fretless bass? I only know a couple of folks who can play them.... :shock:


Mal,

Yep, now you know one more. :P)

It's a 1977 Fretless P, solid neck - no separate fingerboard. I've owned her for over 20 years now. Badass Bridge. Strings are Ernie Ball Group IV - unobtainable here in Oz - I need to get a few new sets in from the USA. The Group IVs are ultra-light, flats, which help to make this a very playable, very nice sounding instrument. I Canberra I was running through an 80W Trace Elliott Combo. 10" driver pushing through a 1" vertical slot in the front of the cabinet. It's the fattest sounding 80W rig I've ever played through.


Passed the following info onto the other player... he is very impressed.
Must say that there is something special about the sound of a Fretless. (Spent years listening to one being played in my bedroom as a kid.)
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Re: Darkest Canberra

Postby gstark on Thu Apr 23, 2009 9:29 am

Mal wrote: say that there is something special about the sound of a Fretless. (Spent years listening to one being played in my bedroom as a kid.)


It's not quite the same as an upright (I have one of those as well, but it steadfastly refuses to go on a diet and come to gigs in the SLK) but it is sort of close. Especially if I play over the fingerboard around P12, with good EQ.
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