Virtuoso out of context
Posted: Fri Feb 22, 2008 3:49 pm
Most people who know of Nigel Kennedy know of him as perhaps the world's foremost classical violin player.
As much as I enjoy seeing him play in his classical persona, Nigel loves playing the music of one Hendrix J, and whenever he's in Sydney, he seems to find time to perform in a jazz context. His last few visits were no exception, with gigs at The Basement.
This time, he played at a very new and intimate venue, Kell's Kitchen. This is just two blocks from the fabled El Rocco room, but the intimacy of Kell's, suited Kennedy's style right down to the ground.
With an audience of maybe 100, the whole band was relaxed and playing well beyond what I am used to seeing from these guys, and Nigel was chatting and joking with the band and audience members alike.
Out of the camera, resized only.
Nigel on violin, Jonathan Zwartz on contrabass ...
Dale Barlow on reeds ...
The master at work ...
Hamish Stuart on drums ...
through the glass darkly ...
The music was nothing short of brilliant, with the hottest version of Gillespie's "A Night In Tunisia" that I have ever had the pleasure of hearing. And as to value for money ... the second half of the show extended well beyond a 90 minute set.
If you missed this ... maybe next time. I've uploaded the unprocessed images to my website gallery; there's a couple of hundred there, but they are straight from the camera.
This now means that I have a backlog of about 2500 images for PP. Ouch!
As much as I enjoy seeing him play in his classical persona, Nigel loves playing the music of one Hendrix J, and whenever he's in Sydney, he seems to find time to perform in a jazz context. His last few visits were no exception, with gigs at The Basement.
This time, he played at a very new and intimate venue, Kell's Kitchen. This is just two blocks from the fabled El Rocco room, but the intimacy of Kell's, suited Kennedy's style right down to the ground.
With an audience of maybe 100, the whole band was relaxed and playing well beyond what I am used to seeing from these guys, and Nigel was chatting and joking with the band and audience members alike.
Out of the camera, resized only.
Nigel on violin, Jonathan Zwartz on contrabass ...
Dale Barlow on reeds ...
The master at work ...
Hamish Stuart on drums ...
through the glass darkly ...
The music was nothing short of brilliant, with the hottest version of Gillespie's "A Night In Tunisia" that I have ever had the pleasure of hearing. And as to value for money ... the second half of the show extended well beyond a 90 minute set.
If you missed this ... maybe next time. I've uploaded the unprocessed images to my website gallery; there's a couple of hundred there, but they are straight from the camera.
This now means that I have a backlog of about 2500 images for PP. Ouch!