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Two pairs of images. Again taken with my black and white CF card. I'd be particularly interested in your views of which tree shot has more appeal since I just can't choose between them.

I like the second tree it leads you up the trunk
The first has too much in it, too congested
and the b&w is great.

I prefer the second tree as well. In the first the wide landscape format does not seem to suit the subject.

Stubbsy, 3rd and 4th for me. I must say I am very impressed with you B&W, especially with the card, your superior skill shows through. Whilst I appreciate (especially with the D300!) the smaller file sizes with the B&W card, I do feel the images I took were a little flat compared to a colour conversion to B&W. Is that your take or do you find it similar?

Peter,

Nice work. That bridge is intriguing; it looks great from every which way. Except when you're driving along it!

Everybody; I have heard that we should have some more of these cards available within the next week. I'm waiting on pricing info, and then I'll post some more details.

Great images stubbsy. #3 & #4 are my pick. Excuse the ignorance, but what's a B+W card?

Hyperhiryu, a black and white card. It utilises the technology seen in cameras like the D300 which allows them to record in B&W, but now it is in the UDMA controller in the card. Gives an arty look with no post processing and also substantially reduced file sizes. Also gives older cameras the benefit of this technology.

Peter, I'm going against the trend here. I like the 1st tree image, mainly because the trunk/foleage balance is more to my liking. I can understand why you had trouble choosing between them, they are both great shots.
B&W was an excellent choice for the two bridge shots, adds so much drama to the scene and the use of a person on the walkway in the first of these two makes this pic the best of the series for me. The leading lines are brilliant, not to mention the slice of ocean and distant cliffs and headlands, a well balanced shot.

Glen wrote:Hyperhiryu, a black and white card. It utilises the technology seen in cameras like the D300 which allows them to record in B&W, but now it is in the UDMA controller in the card. Gives an arty look with no post processing and also substantially reduced file sizes. Also gives older cameras the benefit of this technology.

Cheers, thanks for the info!

can you give me a few brands/card models that are B&W cards, i have really fallen in love with B&W, esp since I got my D300 and would like to look into these cards a lil more

I love the pic of the bridge and the motorbikes on the highway

No1 for me. I like the composition. The eye doesn't necessarily need to go on a journey IMO. Nice stuff.
Can I ask though, what is the issue with converting from colour to B/W (in photoshop). What can a card do, or add, to an image that is absent from a colour shot converted?

Cheers

Nos 3 & 4 definitely. Why? I'm not sure.

As for B&W CF cards, I've never heard of them before reading this thread, but they sound interesting.

ozimax wrote:As for B&W CF cards, I've never heard of them before reading this thread, but they sound interesting.

Same here, so it's just like putting my D2x or 200 into 'Black and White mode' via the menu?

Thank you all for your comments. It seems Tree #2 is preferred slightly and I STILL can't decide - maybe I'll just keep both

Well - although not many listen to newbies, i like the first tree due to the balanced symmetrical view. The 2nd has the power lines that need to be p/s'd out and maybe crop the top off a smidge - that bulbuos blue (white) spot where the sky is, is distracting.

I like the 1st bridge image....shadows do it , but the shot looking back needs to be colour.

Cheers
LAV

lavenlaar wrote:Well - although not many listen to newbies,
Cheers
LAV

Hi LAV, generally speaking everyone gets a fair crack here, newbie, pro, or otherwise. All critiques and feedback are appreciated, regardless of who they are coming from.

I agree Craig

There is plenty of critique so far, but I would like to add that it is in my amateur civil engineering opinion that it would be a good thing that if you want anyone wants to take photos of that bridge then don't delay too long as I envisage it being washed into the sea sooner than the engineers who designed it think it will.

It is in NSW after all where roads and bridges are not built to last.

I love the first one, I find it mesmerising.

Hi Peter

Yes, I definitely like the 2nd gnarled tree. I like your use of composition and works well as a b &w.

Excellent work

Cheers

Michael

#1. The leaves create a pattern of their own and a pleasing effect, it isn't just a tree shot. #2 is a tree shot, very nice as it is.