Help Please - Pick One...Moderators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Help Please - Pick One...We had a better than average sunset tonight so on the way home from picking up my eldest from school band my girls and I stopped at one of the harbour foreshores nearby and took in the sunset.
As it happens I need an image which "is inspired by colours" and was hoping my esteemed friends here could help me choose one of the following three as the best image to fit the bill (or go home you're dreamin') - and of course any PP suggestions are most welcome. All were taken with the 10 Stop ND + 3 Stop Hard Grad NIKON D7000 + 12.0-24.0 mm f/4.0 @ 12 mm, 120 sec at f/8, ISO 100 NIKON D7000 + 12.0-24.0 mm f/4.0 @ 12 mm, 240 sec at f/9, ISO 200 NIKON D7000 + 12.0-24.0 mm f/4.0 @ 12 mm, 211 sec at f/11, ISO 200 D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Help Please - Pick One...Of these I would pick number three
But if it was up against Gerry's http://www.dslrusers.com/viewtopic.php?p=441587#p441587 I owuldn't bother Greg
It's easy to be good... when there is nothing else to do
Re: Help Please - Pick One...I prefer #2, but it would benefit with some experimentation in crops....there is an epic feel about the sky
Cameron
Nikon F/Nikon 1 | Hasselblad V/XPAN| Leica M/LTM |Sony α/FE/E/Maxxum/M42 Wishlist Nikkor 24/85 f/1.4| Fuji Natura Black Scout-Images | Flickr | 365Project
Re: Help Please - Pick One...Number 2
Re: Help Please - Pick One...Number 2
"but it would benefit with some experimentation in crops" Maybe some off the bottom
Re: Help Please - Pick One...
What tony said Cameron said. I think the movement of the boats, as unavoidable as it is, detracts from the images. Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Re: Help Please - Pick One...Either the second or the third one, though the rocks need a bit more fill light in them. Not to the point that it has equal exposure to the rest of the image, but just enough to balance it out a bit.
Hassy, Leica, Nikon, iPhone
Come follow the rabbit hole...
Re: Help Please - Pick One...#1 - all suffer from movement in the background but #1 has the best definition in the rocks + colour
Chris
-------------------------------- I started my life with nothing and I’ve still got most of it left
Re: Help Please - Pick One...Hi Rodney,
Because the clouds AND the boats are moving, these pictures don't work for me. Do you by chance have any with a still sky + still boats? If so you could try combining those. Perhaps just try one moving element to see whether it works; it might.
Re: Help Please - Pick One...2 or 3 would be my piock, thought 1
is clearer in details
Re: Help Please - Pick One...
Yeah - I know
Thanks - I like the base of rocks at the bottom so I'll probably stick with it for now
Thanks - I'd already done mega shadow recovery at the bottom but I think the problem was it then lacked any contrast - no shadows at all to go with the lighter parts of the rock - it was all sort of equally dull - see below...
Bingo - I think.... here we go - as it happens I did have a few frames taken immediately after this compo (without the bigstopper) - 4 sec exposures so much less boat movement. So I've opened them both as layers and tried in my clumsy way to blend them together - taking the sharper (and lighter as it happens) boat body images from the 4 sec exposure and blending with just about everything else from the other. I also did some different work with the rocks at the bottom. Sort of lighter and darker which i think gives it more depth and solidity. So Thankyou everyone for your input so far and here is the result to date - what do you think? D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Help Please - Pick One...Now that's beginning to look nice.
What I particularly liked about #3, given the "Colours" theme, were the blues coming through in that image. Perhaps raise the luminance and/or saturation of the blue channel a tad to bring these out. Not too much or you'll wash them out. Greg
It's easy to be good... when there is nothing else to do
Re: Help Please - Pick One...Yet. Better.
Re: Help Please - Pick One...So my thoughts are... the last image is the one to work on. I think you should be able to get a little more detail from the foreground rocks but don't over do it. Then i would look at what i can do to highlight the rightmost boat to make it a focal point of the composition. Otherwise the image lacks purpose in my view... of course there may be other ways to get a similar outcome... but that's my first thought.
Photography is not a crime, but perhaps my abuse of artistic license is?
Re: Help Please - Pick One...
Thanks Greg - did you mean to try and bring more blue out in this last (landscape) image or the original #3? I tried with the last image but there just wasn't enough there to drag anything out (without just creating ugly noise and artifacts)
Thanks Mj - by rightmost boat I assume you mean the large one just to the left of centre and not some miniscule thing on the far right? I should be able to highlight that centre one more fairly easily (since I originally burnt all those ones down quite a bit as they were too bright). I know it doesn't look like it in the web image but in my large full size image theres quite a bit more detail in the foreground rocks and they look brighter - not sure why the jpeg conversion is dulling that area down noticably. D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Help Please - Pick One...
I meant to bring the blues/violets out in the new image. But if there's nothing to work with. C'est la vie.
Could it be the conversion to sRGB? Greg
It's easy to be good... when there is nothing else to do
Re: Help Please - Pick One...I think the rework works. I wouldn't touch the rocks too much as I think, as they are, they provide a nice frame for the real subject being the boats and colours.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
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