Chris's 24-120/4...
Posted: Fri Oct 26, 2012 11:27 pm
Chris has very generously loaned me his 24-120/4 VR for a couple weeks to try it out on my new D600. I'm trying to decide whether I want the 24-120/4, the 24-70/2.8, (even the 28-300 I guess - but unlikely) or even no midrange zoom and just get an ultrawide, some fast primes in the middle (I have a 50/1.4 and 85/1.8 (& 90/2. already) and one of my tele zooms (70-200/2.8, 70-300 and 50-500).
Here are a couple of images in the city the day of picking up the lens
This is a monochrome HDR created from two of the shots from a bracket I took handheld in the QVB - I used the 0EV and -3EV frames only. The 0EV frame is 1/25sec @ f/4 @ 24mm at ISO 500
Also here is the straight 0EV frame - this is basically SOOC RAW - the only adjustment I made was to do a little highlight recovery.
What's impressive to me about this is the dynamic range and control of highlights and shadows on the D600 - the inside of these steps in the QVB are dark but outside it was clear blue skies and the midday sun was beaming straight at those windows - they should be completely blown out and there should be no details in the shadows - Lightroom shows no shadow clipping and minimal highlight clipping (and was recoverable).
Another monochrome effort in the QVB (@ 120mm)
Here are a couple of images in the city the day of picking up the lens
This is a monochrome HDR created from two of the shots from a bracket I took handheld in the QVB - I used the 0EV and -3EV frames only. The 0EV frame is 1/25sec @ f/4 @ 24mm at ISO 500
Also here is the straight 0EV frame - this is basically SOOC RAW - the only adjustment I made was to do a little highlight recovery.
What's impressive to me about this is the dynamic range and control of highlights and shadows on the D600 - the inside of these steps in the QVB are dark but outside it was clear blue skies and the midday sun was beaming straight at those windows - they should be completely blown out and there should be no details in the shadows - Lightroom shows no shadow clipping and minimal highlight clipping (and was recoverable).
Another monochrome effort in the QVB (@ 120mm)