Lightpainting in the Trees...Moderators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Lightpainting in the Trees...Once it got dark we grabbed our lightpainting gear and other "accessories" (shovels anyone? ) from the cars for a little late night work in the dark forest.
Thankyou gents for another enjoyable evening out in the wilds. Whilst we had all wandered around separately and thus presumably got different shots during sunset - for the lightpainting session due to the nature of most of what we were doing (lots of backlighting subjects with flash for instance) we needed to have all the cameras clustered together so we didn't get the light sources pointing directly in the frame of any of our cameras - the practical upshot of this will be that we'll all pretty much get the same or similar shots. It was really, REALLY dark in the forest... and the spiders... I'm thinking those beasts were putting up webs between the trees to catch bats not insects (that should give you an idea how big those suckers were)... stumbling around in the dark walking into giant spider webs with monstrosities the size of your fist... Shudder!... From a post processing point of view I didn't really do anything much to the night shots - they are very close to as shot with AutoWB; mostly just a touch of clarity, vibrance, shadow recovery and some sharpening, plus cloning out some small distracting lights in the distance So onto my selection... A little Green Dome action by Gerry with some tree lighting (high powered torch) from the side whilst controlling the spill The Undertaker was predominantly lit with a number of pops (manual at 100%) of a gelled flash (SB-900) towards the camera from the other side of the subject at various angles to define them (flash zoomed out to wide) and then a couple pops down the tree lined tunnel with the flash zoomed to 200mm (at all times hiding the flash from the cameras) The following utilised a similar technique with the addition of some lightpainting of the trees from the subjects position along with the use of some incredibly expensive light painting gear (a.k.a. some children's star wand toys ) Fireflies Finally our last lightpainting image from the night (and my favourite) was lit in a similar way Treasured D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Lightpainting in the Trees...You guys have outdone yourselves. This set is amazing. I love the warm light in #2, #3 and #4.
Cameron
Nikon F/Nikon 1 | Hasselblad V/XPAN| Leica M/LTM |Sony α/FE/E/Maxxum/M42 Wishlist Nikkor 24/85 f/1.4| Fuji Natura Black Scout-Images | Flickr | 365Project
Re: Lightpainting in the Trees...nice Rodney, remind me next time (i'll explain later) to bring talcum powder
gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: Lightpainting in the Trees...
I know what you are up to......good thinking Cameron
Nikon F/Nikon 1 | Hasselblad V/XPAN| Leica M/LTM |Sony α/FE/E/Maxxum/M42 Wishlist Nikkor 24/85 f/1.4| Fuji Natura Black Scout-Images | Flickr | 365Project
Re: Lightpainting in the Trees...I love the last two, but feel the images would be stronger without the red and blue lights. The lightpainting, separate to these other lights, is brilliantly done.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Re: Lightpainting in the Trees...
hehe, i have investigated the fog machine option and even with a cheap inverter and car battery the portability and endurance is unacceptable, however talc is cheap and whilst not as versatile it does provide a quick and dirty entry into the fog market gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: Lightpainting in the Trees...
This concept needs some more refinement, but I reckon it certainly has merit, the overall scene is neat but the shitty dome ruins it completely in my opinion . However the ambient lighting with the torch is perfect. gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Lightpainting in the Trees...
Blisters from the shovel work? Lol!
Re: Lightpainting in the Trees...Fantastic work. Absolutely sensational!
Re: Lightpainting in the Trees...
Thanks fellas
Thanks Gerry... perhaps strangely a number of others I showed some of these images to (non photogs) really liked the dome image (perhaps because it's so unusual). Personally I reckon it could have done with some of the other side of the dome painted in - and I now believe you were right in not painting a circle at the base of the dome . With the lighting I remember when I saw the shot on the back of the lcd I was concerned with that bright leafy branch on the far left (closest to my torch) and thinking I'd have to burn it down in post - but on the big screen I grew to like it - thoughts? I'm actually quite keen to see what Suren does with these - he wanted to radically shift/change the colours (e.g. wrong coloured fireflies) D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Lightpainting in the Trees...The Undertaker shot is a great concept. If only the clothing was more sinister to match the feel of everything else in the frame.
Lightpainting in the Trees...1 & 2 for me Rodney. As others have already said the clothing for the gravedigger needs some attention to suit the theme but technically a big thumbs up.
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Re: Lightpainting in the Trees...I prefer the first one of the set.
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