Thankyou Gerry
biggerry wrote:1st image. Why take so many shots for this pano? i really struggle to understand why people do this when 3 or 4 shots will suffice - it also increases the chance for error, especially with shots where shit changes quickly. I know this scene can be easily done in 4 odd shots at 40mm (or there abouts) with no distortion - note the curve of the bridge on the right - panos , imo, should achieve very nice flat and proportioned perspective hence the popular focal length of 50 mm for doing them
in the end this scene used 9 frames taken at 48mm (:)) with 50% overlap (I know less overlap is all that is required but I'm used to 50% so I stick with what works). I doubt I could have done 4 shots for this without doing less than 25% overlap or using horizontal frames?
the other excess frames were because I was forced to go back and reshoot some of them (massive cruise ship stuffed a few of them, etc) - to be honest I'm totally surprised I got anything to stitch at all with this one
2nd image - this has the most merit, it feels very dark, but if that's the look, your going for than all good. i prefer a lighter image with more detail, buts that's a preference thing. Sky looks epic here - you could have cat pictures below that and still have a great image.
Yep - dark was the go - lighter lost the impact for me... and LMFAO
Is there any reason why you did not take any image with only water in the foreground? The stone jetty works well in the second image, but not so much in the others.
Probably only because we were actually setup to do the light painting and I couldn't be stuffed moving
(and if I moved forward we'd all have to move forward or I'd be in their shots). I also shot panos from the end of the jetty with just water at the bottom last time I was here so something different this time was ok for me
4th image crop the bottom 20 percent..much better then in my opinion.
as it happens "my" version is like this
- 16:9 aspect (good call) - but I posted the 3:2