On a wall...Moderators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
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On a wall...On a wall (Adelaide)
Re: On a wall...sadly like alot of australians i suspect I have become de-sensitised to alot of this, however there is nothing like a childs thoughts to really bring you back to the harsh realities of our world and provide a different, genuine view.
Zafra whilst you image s nothing more than a recording, i think in this case its all that is needed. That said, I think maybe the inclusion of a westerner in the frame somehow would provide a good context to the frame. gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: On a wall...Thank you for your comment. You are quite right and having someone in the frame would had made a big difference. Unfortunately, when I was in the lane taking the photo the few passers-by very politely walked behind my back, which was not what I wanted. I wanted someone slightly blurred walking by illustrating your very point (tired of the boat issue and lack of engagement) or someone facing the mural reflecting on its sad message. As I was not able to capture people, I ended by cropping the photo very tight. This is a composite of two photographs and a bit deceitful as these two pour souls were at an art gallery and not at the lane at the time the mural photo was taken.
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