Onyx wrote:Peter, hope you don't take this the wrong way (even so, you can bash me later), all your shots from the monastery seem to adhere to a 'formula' - they're mostly with you standing in the subject's 2 o'clock or 10 o'clock. All the shots are with the same lens, similar framing and distance to subject... They are superb shots (you can give credit to the fine glass or the object behind the viewfinder), but having them presented like that all at once, I find viewing the images kinda 'fatiguing', I don't know how to explain it properly...
Mix it up a bit. If you're choosing to stick with the 1 lens, vary your shooting angle and distance to subject (it seems you're neglecting the zoom with your 50). You know and have mastered the 50 shot with large aperture in daylight with or without fill flash - try something new! Experiment. Deliberately shoot mistakes - ie. use f/16 for a portrait. Throw out the rule books!!!
Chi
I certainly don't take this the wrong way. Comments like these are where the value lies in posting here. It's necessary to hear both the good and the bad about your work in order to grow and develop. Thanks for the comments.
I'd not really thought about what you say, but you are right. In many ways the 10 o'clock, 2 o'clock is a function of the shooting opportunites (I was down the left or right side of the hall), but I was also a little uncomfortable early on being in people's faces by standing in front of them since I'm not usually doing portrait pics (good to step out of my comfort zone). I have some with the 24-120 and 70-200, but again these are also largely from the same angle. I also have a number taken in the grounds that are very different as well as a whole stack of 24-120 shots of people performing at the concert that afternoon. Both groups are very different to these and I'll be posting these tonight or tomorrow.
Below is one of the Master Venerable when I plucked up the courage to stand in front of him (although looking at it now, I think I might go back and do a tighter crop to remove the monks either side).