No it's not one single exposure. 68 frames in fact.
The 20D can handle quite long exposures, but I wasn't sure how far I should push it. So I settled on 4-minute exposures at ISO200 (camera's base is 100) and the lens stopped down slightly to f/5.6. The Canon timer remote allowed me to take consecutive 4-minute shots (although the shortest interval between shots I could get was 1 second).
The resulting shots were stacked to produce the trails. I used ImageMagick with a Brighten compose operator that I added (I have a background in software development) to do this: if you had a Windows machine you could use Max Lyon's
ImageStacker. It wasn't tedious (the RAW->TIFF conversion was batched, and then the stacking ran unattended) but it did take my laptop a while to grind through it all. I then brought this into Photoshop & cleaned up the few hot pixels scattered around the image. I shot without extra NR as the 20D (unlike the 10D and 5D) would do this with another 4-minute dark-frame exposure, making for very dashed lines.
This method of shooting star trails is not without its drawbacks however. 4 minutes equals 1 degree of rotation, and 1 second is 1/4 of a minute of arc. You end up with dashed lines (especially toward the edges of the frame) and although the gaps are very small, resizing algorithms preserve this as "important" detail. Max and I have compared notes, and the best solution I've come up with so far is to take a copy of the sky, rotate it very slightly (pivoting around the pole which is easy to identify) and blend it back in.
The foreground is actually another frame taken earlier in the evening. The whole thing is still an experiment: I'm toying with different white balances on the underlying shots, and using a different stacking
mode for the foreground so I can use the actual night-time image there. Unfortunately it was a new moon so there was only starlight to work with.
darb wrote:out of curiousity, how did you know where to shoot in order to get a perfect axis of the stars. Just facing north?
North? South. It's easy to work out where due South is, and if you have a map or a GPS you'll know your latitude in degrees. That many degrees above the horizon is where the pole will be.
Work out while it's still light where the camera needs to be, and set up the tripod/etc. Then go back to camp (your cameras need to be far enough away so your camp lights, campfire smoke, etc don't cause problems). A couple of hours after sunset come out and start the cameras going (and find your way back to camp in the dark without getting lights in your shot). Then get up several hours before dawn and go out to turn the cameras off (unless the battery's run out in the night like it did with this image). I was doing this with several other people, and everyone else was using film. Funnily enough they were a bit more careful than I needed to be with not getting torchlight in their shots at the start/end of their single exposure...