TimingModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Canon 20D and a bunch of lovely L glass and a 580EX. Benro tripod. Manfrotto monopod. Lowepro and Crumpler bags. And a pair of Sigma teleconverters, and some Kenko tubes. http://www.dionm.net/
On a serious note, I sometimes am indecisive about certain shots that stop the action. It just makes things look weird, ie the woodchopping shot could be 'staged' (not criticising, just discussing).
Eg in motor racing, too high a shutter speed stopping the action can sometimes make it look 'staged' too - unless the car has serious attitude or something else to give it away (tyre bagging on a dragster to indicate it is launching, rather than parked). Canon 20D and a bunch of lovely L glass and a 580EX. Benro tripod. Manfrotto monopod. Lowepro and Crumpler bags. And a pair of Sigma teleconverters, and some Kenko tubes. http://www.dionm.net/
You sure can time your shots. Very impressive. What's your trick Daniel Nikon D4, D2Xs, D70, Nikkors and Sigmas lenses from 10 to 400mm
www.DSAimages.com
Daniel, I spend some time watching the events to get an idea of what is going on and then you develop a feel for what is about to happen..
DionM, I konw what you mean but on the woodchopping it is a bit hard to pan as I do on my motorsport shots. Canon
The last one takes the cake!
Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Yup. like the flying woodchips You can also see more of the guy swinging the axe and the effort he is putting in; couldn't see that in the first axe one.
Canon 20D and a bunch of lovely L glass and a 580EX. Benro tripod. Manfrotto monopod. Lowepro and Crumpler bags. And a pair of Sigma teleconverters, and some Kenko tubes. http://www.dionm.net/
I concur with all that has been said regarding frozen moments.
Big V, you mention that you are using the 300D - but which lens? There is a beautiful acutance to these shots seldom seen in a lot of work. _______________
Walter "Photography was not a bastard left by science on the doorstep of art, but a legitimate child of the Western pictorial tradition." - Galassi
Streetshooter, these were all shot with my favourite lens, the Sigma 80-400 OS. I can hand hold this puppy at some insane slow speeds and still get crisp images. Dolllar for dollar it is a very good lens which will compete with most kids on the block and more importantly, I have learnt to use it!!!
Canon
The timing on the human cannon ball is excellent. I agree that the 2nd shot of the lumberjack with the chips flying is more indicative of timing.
my gallery of so-so photos
http://www.pbase.com/kerrypierce/
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