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LAB ColourI just had my first real play with LAB colour, and I thought I was doing well but when I went to save it I thought I should convert back to sRGB and it appeared like it undid a lot of my work in LAB, have I gone about the process wrong ?
This was the end result of my trial of Lab
You'd have to be happy with the result Craig.
Sorry, I don't know anything about LAB colour, never played round with it. But the image looks great. Pity about the jet lights though. Cheers John D3, D300, 14-24/2.8, 24-70/2.8, 85/1.4, 80-400VR, 18-200VR, 105/2.8 VR macro, Sigma 150/2.8 macro
http://www.johndarguephotography.com/
I actually spent 2-3 hours taking shots here, so I do have some without the lights, I just randomly picked this one to play with. Perhaps Big V can enlighten me on LAB colour he seems to be a big fan of it.
I've also started playing with LAB colour (I've got the LAB colour book) and converting back to RGB doesn't have any negative effect...
How do you convert back? Image -> Mode -> RGB Paul http://www.australiandigitalphotography.com
Living in poverty due to my addiction to NIKON... Is there a clinic that can help me?
Are there any good online guides for LAB?
Steve (Nikon D200/D700)
My photography website http://wwphoto.redbubble.com/ My photo blog http://www.redbubble.com/people/wwphoto Please feel free to offer any constructive criticism on my works
Not that I have found. The only tip I've found online is the one I posted a few weeks ago in the PostProcessing forum. Paul http://www.australiandigitalphotography.com
Living in poverty due to my addiction to NIKON... Is there a clinic that can help me?
I've only just started reading the book...
but apparently any colour manipulation can be done faster/better in LAB. There are some pretty convincing examples. Paul http://www.australiandigitalphotography.com
Living in poverty due to my addiction to NIKON... Is there a clinic that can help me?
DONE!
Geoff
Special Moments Photography Nikon D700, 50mm 1.4, 85mm 1.4, 70-200 2.8VR, SB800 & some simple studio stuff.
Did you flatten the image before changing to sRGB web space.......... which will give you a lot less colour than LAB colour......
Cheers ....bp....
Difference between a good street photographer and a great street photographer.... Removing objects that do not belong... happy for the comments, but .....Please DO NOT edit my image..... http://bigpix.smugmug.com Forever changing
You'll find a lot of good tips and examples in this thread on the smugmug forums - Digital Grin http://www.dgrin.com/showthread.php?t=18203 As far as I can gather, some of the moderators and users of Digital Grin have read through Dan Margulis' book "Photoshop LAB Color" and have recreated the examples from each chapter in separate threads on the forum... A lot to read, but you'll probably find the knowledge that you seek... Cheers, John
Leek@Flickr | Leek@RedBubble | Leek@DeviantArt D700; D200; Tokina 12-24; Nikkor 50mm f1.4,18-70mm,85mm f1.8, 105mm,80-400VR, SB-800s; G1227LVL; RRS BH-55; Feisol 1401
I'm not waiting for a rainy day.
in photoshop..... set up actions to get into LAB colour........and back to RGB....... makes it very quick.......
Cheers ....bp....
Difference between a good street photographer and a great street photographer.... Removing objects that do not belong... happy for the comments, but .....Please DO NOT edit my image..... http://bigpix.smugmug.com Forever changing
that digital grin link - there is weeks worth of messing around to be had with those tips, amazing, really good compression of the key elements to get the job done.
D3 | 18-200VR | 50:1.4 | 28:2.8 | 35-70 2.8 | 12-24 f4
picasaweb.google.com/JustinPhotoGallery "We don't know and we don't care"
This is interesting, anybody have more information?
Blog: http://grevgrev.blogspot.com
Deviantart: http://grebbin.deviantart.com Nikon: D700 / D70 / AiS 28mm f2 / AiS 35mm f1.4 / AiS 50mm f1.2 / AiS 180mm f2.8 ED / AFD 85mm f1.4 / Sigma 50mm f1.4 / Sigma 24-70 f2.8 macro / Mamiya 80mm f1.9 x2 /Mamiya 120mm f4 macro
I believe that a LAB curve samurai, can achieve way more with one curves layer. All photoshop calculations are in LAB anyway, they are converted to RGB/CMYK in the interface for user convenience. Though sometimes for daylight blue cast, it is so quick and easy to just touch up the blue channel in RGB.
I really love how colour theory has evolved since old Itten.
just reading this thread and then the DGrin forum (i have only had a look at the first part) and i have had a go at it. this is my effort. the changes arent huge but they are noticable.
Nathan
D700 | MB-D10 | Nikkor 14-24 | Nikkor 24-70 | Sigma 70-200 | 20 2.8 28 2.8 35 2 50 1.8 | Sigma 105 | SB-800 http://www.flickr.com/nathanjphoto/
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