by Sheetshooter on Thu Oct 06, 2005 1:46 am
I started collecting Avedon monographs as a mere lad back in 1965 - Nothing Personal was the first I bought.
I have been rewarded and enthralled by the incredible depth of his work right from the word go. I even bought New Yorker to see his weekly theatre shot.
Having had a fair crack at 8x10 portraiture myself I am well versed in just how competent he was (and in his ability to surround himself with good technicians to do the donkey work while he stuck with the actual photography).
I have actually wondered whether that final series will make it as a special monograph. Strange coincidence that he should start his career photographing anonymous military men and that his very last image should also be of a severely injured soldier from the Baghdad campain.
I have not unpacked my books after the relocation as yet so I may haver the name wrong, but I can strongly recommend Laura Wilson's book of her exploits with Uncle Dick (as he was called in New York photo circles) in shooting IN THE AMERCICAN WEST.
I can think of no more fitting end for a photograpaher than to meet your end with your face in the gorund glass setting up a shot. I hope I am so lucky.
Cheers, and have a tipple for Uncle Dick.
_______________
Walter
"Photography was not a bastard left by science on the doorstep of art, but a legitimate child of the Western pictorial tradition." - Galassi