moz wrote:In a way, he's picked up exactly what Canon did - they gutted a proper camera to make a cheap full frame
model that working professionals wouldn't buy because they need the features found in pro cameras
There are many types of photographers in the world, but I have been involved in conversations at
AIPP events where there were _many_ pros commenting how the 5D suited their needs better than a 1Ds! Not every pro needs full weatherproofing and battle-hardening, and many comment that they like the 5D images better than the 1Ds Mk.II. Being able to afford spare bodies helps too (it may be a deductable business expense, but that doesn't mean cost is no concern!).
The cost of the next step up is pretty horrid, although I admit I'm more tempted by a second hand 1Ds than the 5D (both 12MP, one is bigger, heavier and better at almost everything as well as cheaper and free from warranty).
I've used the 1Ds Mk.II and the 5D, and it's clear that for me the 5D wins hands-down (I'm just waiting to see what comes down the pipe this year). As for the 1Ds Mk.I, not only is the user interface so much different from the D30/D60/10D/20D/30D/5D style that I've used since 2000, but the image quality is easily surpassed by the 5D.
But if you want a 1Ds then feel free!
As is typical for Ken, a lot of his criticism of the 5D comes down to one point. In this case, "I refuse to shoot RAW and that sucks".
Working out the details of Ken's biases can be amusing. Often they're obvious!
BTW, to me the D200 and 5D are different classes of camera.