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To Copy Or Not To Copy & Change.Hi all,
Haven't been around for awhile, I have a question I want to pose to some of you learned folk. Say I take a photo of an Artists image in a book, you can still see it's the Artists work if you know your art. I crop it so it changes it, I apply different filters to enhance it, ( I change it a bit ) It's an Artist from 2 century's ago, I frame it and sell it. Have i broken the law of Copyright and can I be charged or thrown in jail ? I know it is propbably a very simple NO you can't do any of these things, but I just thought I would ask. Because I have done a few experiments and a friend told me I should sell them. Any thoughts would be appreciated. Thanks, Mic
If the artwork is over 70 years old then copyright no longer exists unless the artist is still living. However, if you are reproducing a photograph that exists in a book, magazine etc then you are breaking the copyright of the publisher and that is an offence.
Chris
-------------------------------- I started my life with nothing and I’ve still got most of it left
let us know what jail you will be in so we can send photo's of the outside world....... or you could get lucky and become cell mate to Paris
Cheers ....bp....
Difference between a good street photographer and a great street photographer.... Removing objects that do not belong... happy for the comments, but .....Please DO NOT edit my image..... http://bigpix.smugmug.com Forever changing
If the original artwork is over 200 years old then it would be in the public domain - you can do whatever you want with it. However, there might be an issue since the artwork was copied out of a recently produced book - I don't know.
I'd recommend talking to a copyright lawyer. You might also try digging around http://www.copyright.org.au/ Hope this helps. [Edit] Oops, just noticed your post Chris.. Mark
Honest question mic, not sure how bp's response is of any value though. I'd say speak to a lawyer about this as anything that old is public domain however ownership could fall to someone else or to the publisher.
Hassy, Leica, Nikon, iPhone
Come follow the rabbit hole...
....... I will put them on my wall..... along with the other inmate shots.... Cheers ....bp....
Difference between a good street photographer and a great street photographer.... Removing objects that do not belong... happy for the comments, but .....Please DO NOT edit my image..... http://bigpix.smugmug.com Forever changing
Let's assume that you are copying the Mona Lisa, you can find a photo reproduction of it in hundreds of books and they all look the same. How can the publisher of a book prove that it was taken from their book?
__________
Phillip **Nikon D7000**
exactly what i was thinking... body: nikon d200, d70s, f4s, f601.
lens:nikon 35-70mm f2.8, 70-300mm f4-5.6, 10.5mm f2.8, 20mm f2.8, 28mm f2.8, 50mm f1.8. flash: nikon sb600, sunpak 383 (x1), sunpak 555 (x4), pocketwizard plus II (x4) jamesdwade.com dishonourclothing.com
I have a question now...... I understand the publishers rights, but how about the photographer that took the original photo that got published .... doesn't he also potentially hold copyright ????
Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships! -Ansel Adams
http://www.redbubble.com/people/blacknstormy
He/she would have either been employed to take the shot for the publisher or, if freelance, they could have possibly assigned rights to the publisher. A well known Australian designer submitted designs for a top Australian bank - they were accepted and he made $1 milion dollars. He also submitted designs for the rail network - on this he was turned down as they were found to be a rip off from an American railway - his reputation declined rapidly, especially when it was realised that the bank design was a rip off of an American bank. The moral here is if you are going to rip off - cover your tracks Chris
-------------------------------- I started my life with nothing and I’ve still got most of it left
From http://www.copyright.com.au:
And from http://rubens.anu.edu.au/copyright.html
and plenty of info at: http://www.copyright.org.au/ cheers, André Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. Ansel Adams
(misc Nikon stuff)
This is what I think...The answer in short is: you are breaking the copyright. As you said the artist or work of art is 200 years old, but the publisher of the book would have had to get permission from the art gallery or the rightful owner of the work. Now cropping an art image is not altering; it is simply an act of mutilation of work because that is not what the artist intended. Just like adding filters to enhance an image is not altering it either in the same manner that the restoration of a work of art does not imply that the person doing that restoration is able to claim ownership of such work.
However, if you went to the museum, where the work of art is being exhibited, got the appropriate permits to photograph it and then changed it adding new elements and in such an extreme fashion that it became a new image; albeit still recognisable then you could argue to have an original. Therefore the issue of copyright might be debatable. But, would you like me to get your photos alter them somehow and then claim ownership because I changed the sky, the colour of the subject's blouse or removed a few pimples of the subject's face? I believe you wouldn't like it, especially if I were to do it without your consent and for a profit.
zafra52,
I don't think that it as b&w as you say. I refer to this paragraph:
That is from: http://www.copyright.org.au/information/G033.pdf As an example, Mic finds a photo of the Mona Lisa in a book. That photo is basically just a straight photo of the Mona Lisa. Obviously, the DaVinci copyright is expired. The photo is indistinguishable from any other stock photo of the Mona Lisa. So I don't think he would need permission from the publisher of the book, as outlined in the quoted paragraph. He probably would also not require a special permission from the Louvre either. He is not modifying an original photo of the Mona Lisa, he is modifying one that looks like any other Mona Lisa photo found in a multitude of books. Note, IANAL, so take it for what it's worth cheers, André Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. Ansel Adams
(misc Nikon stuff)
That's why most lawyers make more money then most photographers Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. Ansel Adams
(misc Nikon stuff)
Am I reading this wrong or does it say "not copied from something else; and recorded in “material form” ... taking a photograph..."
No you are reading it right but that applies to artwork that is still under copyright, once it is out of copyright, that's it.
In the case that Mic started off with, the copyright has expired since the work is over 2 centuries old. As I said, IANAL, so get the advice from a good lawyer, I know I would. Cheers, André Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. Ansel Adams
(misc Nikon stuff)
I took the view that although the art work itself had expired the book illustration had not; and therefore it was an infringement of that copyright. I deal with this issue with my students and ask them to research the issue, but in this club we all know that copyright is murky waters.
I also like Garry's point that "an opinion is never right or wrong; it is just different" for I always have sustained that I am an authority in my own opinion, but I like his better. Thank you. I think we have benefited from this interchange of view points and information.
You can't do it from a book. Only from a photo of the actual original painting, if it is from a book it doesn't matter what book it is from, unless it is over 100 years old (therefore the copyright has expired). You can't use those shots without the photographer's permission. Illistrative or not, they are still professional photos and are worth money.
If you can get permission to take a shot of your own of the painting then go for your life. If not. Keep the sales on the low-down! Harry Nikon D80, MB-D80, Nikon 50mm f/1.8, Nikon 17-55mm f/2.8, SB-800, Sigma 18-200 f/3.5-6.3
Various bits of borrowed/stolen glass/speedlights etc. - zero style or taste. http://harryfisherphotos.smugmug.com
The Mona Lisa analogy is spot on. If a work in no longer copyright then it is in the public domain. If I make a reproduction of the Mona Lisa....and there is no other element in the image but the Mona Lisa....then I do not hold the Copyright to the image of the Mona Lisa. Do I hold the copyright to my photo of the Mona Lisa? If it's a direct copy then proving ownership would cost more than anyone could afford. If I copy images from a 100 year old book I can do what I like with them, including sell them commercially. If you have access to the same book then you have the same rights as I do. Go for it.
Regards
Matt. K
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