Dandelion SeedsModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
Forum rules
Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
Previous topic • Next topic
13 posts
• Page 1 of 1
Dandelion SeedsInspired by Mikhail's recent dandelion post, I decided to see if I could get closer...
Individual dandelion seeds are damned difficult to shoot... You are so close to them, you really need to hold your breath while focusing otherwise they have a tendency to disappear... Using a combination of close-up filters that added up to +7 on the front of the Nikkor 105mm Micro gets you this close... I also took some shots of the complete seed-ball: Last edited by leek on Wed Sep 28, 2005 6:56 pm, edited 1 time in total.
Cheers, John
Leek@Flickr | Leek@RedBubble | Leek@DeviantArt D700; D200; Tokina 12-24; Nikkor 50mm f1.4,18-70mm,85mm f1.8, 105mm,80-400VR, SB-800s; G1227LVL; RRS BH-55; Feisol 1401
John
These are excellent. WHile I admire the technical feat of the first one (which is an impressive achievement), my favourite is the third one. It's beautifully lit, nice and sharp and there's a wonderful glow to it that's aided by the background and lighting you've used. Thanks for sharing these ones. Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
The first one was at F40 and the other 2 at f45 and I used the SB-800 for all of them, fitted to the hot-shoe and with the diffuser head on...
I took about 40 shots to get a few good ones and kept manually bracketing the shots by changing the flash compensation up and down... For some of them I went as low as to -1.6ev so that there were not any significant highlights and then I boosted the exposure and brightness in ACR... With the closeup filters attached, the depth of field is a matter of millimeters - even at f40, so it was very difficult to get the whole seed in focus... Here's a crop of the seed end (that was almost in focus) which shows the delicate details of the seed. Cheers, John
Leek@Flickr | Leek@RedBubble | Leek@DeviantArt D700; D200; Tokina 12-24; Nikkor 50mm f1.4,18-70mm,85mm f1.8, 105mm,80-400VR, SB-800s; G1227LVL; RRS BH-55; Feisol 1401
I didn't mean it to be a competition, but I do like the shots... Just shows you what you can do when you have a bit of time on your hands... With a proper background, I think I could have done even better... Cheers, John
Leek@Flickr | Leek@RedBubble | Leek@DeviantArt D700; D200; Tokina 12-24; Nikkor 50mm f1.4,18-70mm,85mm f1.8, 105mm,80-400VR, SB-800s; G1227LVL; RRS BH-55; Feisol 1401
I find these interesting because they cross the boundaries between science and art. My understanding is that good seed pods need (a) a seed pod and (b) some kind of mobility. The (b) is what really interests me. The mobilty of this one comes from the fluffy end which allows it to float, but there are other forms of mobility such as barbs to get things caught in animal fur, and shells that only open after bush-fires, giving a type of temporal mobility. There might be a nice three-shot pseudo Dorling Kindersley-style piece which could show multiple completely different forms of mobility side by side. Of course it depends on which way you want to take it. I am just suggesting this type of scientific angle because you were interested in the name of the priklious thingous a month or so ago.
By the way, was Mrs Leek impressed with the nice posy of dandelions you subsequently gave her?
Look good john, im not into this stuff but i am sure for those that are would like them.
D3,D2x,D70,18-70 kit lens,Sigma 70-200mm F2.8EX HSM,Nikon AF-I 300m F2.8, TC20E 2X
80-400VR,SB800,Vosonic X Drive,VP6210 40 http://www.oz-images.com
Not to mention those encapsulated in delicious tasting fruit that are intended to achieve their mobility by passing through the digestive tract of the animal that ate the fruit...
I actually love the DK style of photo presentation... I must have a try at replicating it sometime...
Cheers, John
Leek@Flickr | Leek@RedBubble | Leek@DeviantArt D700; D200; Tokina 12-24; Nikkor 50mm f1.4,18-70mm,85mm f1.8, 105mm,80-400VR, SB-800s; G1227LVL; RRS BH-55; Feisol 1401
Previous topic • Next topic
13 posts
• Page 1 of 1
|