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Graduated neutral density filtersFolks, which GND filter would you recommend for general landscape work:
1. How many stops (if you were to only have 1 filter)? 2. What brand? 3. Would you use a Cokin style filter/holder? 4. Other factors? I meant to add that the use of a filter here was on the basis of not using HDR or similar techniques in PS. Thanks Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
I bought a Cokin GND8 earlier this year.
Worked well on the D2Xs, but now after switching I haven't had the chance to get the 77mm adapter to use it :S The GND8 works well. Hassy, Leica, Nikon, iPhone
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I've have and have used the same filter as Wayne on my 5D. At 16mm on FF there is some vignetting..
5D | 16-35L | 35L | 85L | 135L | 70-200F2.8IS | 580EX
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Patrick,
look at this thread, similar question: http://www.dslrusers.net/viewtopic.php? ... highlight= HTH, André Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. Ansel Adams
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Chris
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I have the Cokin system (generic), but it is fiddly. I bought it for landscape work but often in practice the light is changing so rapidly, by the time I set it up I have missed ths shot. It is however very good for those overcast days when the sky tends to get blown out. I prefer to use it however rather than HDR. I use the graduated filter more often than not although I do have both one and two stop filters.
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i have the Cokin P121 - 8X graduated neutral density filter reduces the light 3 stops.
there is a fairly quick transition on this one but you can slide the filter up and down a fair bit to adjust to suit the scene. you can frame your pic the way you want then adjust the filter to get the light right. still a fiddly thing to play with though. Shane
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thanks for the comments, guys. I knew there was another thread about this around somewhere, but couldn't find it.
Interesting reading the pros and cons about it all. Thom Hogan reckons the Cokin have something of a colour cast to them? Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
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