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Mal,
Simple, nice. Good lighting and exposure. Composition ?? Hmmm that's a tough one. I can't criticise it, and I think it looks good. I'm not sure how I'd even try to improve it, except perhaps to have maybe placed the rock on top of the sand, but I don't know if that would convey the message that you're trying to convey here. g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
I'm in the same boat, maybe try to shape the sand into a square block to oppose the round rock. __________
Phillip **Nikon D7000**
Thanks. I like the sand as a square idea. Bummer I have packed up the gear. But i will remember it for next time. Mal
I've got a camera, it's black. I've got some lens, they are black as well.
One idea, which may lose the message due to complexity, would be to arrange a small mirror (this is based on Gary's discussion of multiple exposure at the portraiture workshop) - in one image, block out the side with the mirror and capture the rock. In the next replace the rock with the sand, ensuring you can see the reflection of sand in the mirror. Block the side with the sand and capture the image of the reflection of the sand.
THis only works if your camera can do multiple exposure - you would end up with a rock looking at a reflection of its future self. (you could obviously do the reverse as well, sand's reflectoin of its former self) Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
Patrick,
Nice thinking ... Mal, you have a good tripod, right? D200? Matte box?? Hmmmm .... Vee Haff Vays unt meanss!! g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Nice idea Patrick....
Yep no problems there!
OK now we have hit a little snag
no problems here either. So it looks like my problem is the D200 and the lack of funding... Let me see, once the extensions are finished, the kids schooling is all paid for I finally will be able to purchase one. Or maybe I can just keep hoping that I get a show that is syndicated then the D200 will be mine Oh yes it will be mine! But by then who knows what will be on the market! Mal
I've got a camera, it's black. I've got some lens, they are black as well.
Actually, knowing your profession, I should have guessed that you'd have access to a matte box. One of the few around here that do.
D705? In all seriousness, D2x, D200, D3 or D300 are the only cameras that have this capability ... but the good news is that I expect to see quite a few pre-loved D200 bodies becoming available ... soonish ... and they should be affordable for you. g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Ummm, the Bronica has multiple exposure functionality - a little switch near the film winding mechanism Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
A step backward except in terms of picture quality and functionality? Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
You didn't lose them, you merged them into one image
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935. Our mug is smug
One hideously over-exposed image, right, Phillip?
g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Speaking of said profession, if anyone is interested in seeing a little bit of "real" journalistic history can I suggest a visit to the lobby of the ABC building in Ultimo. Some wonderful gear on display, including the old three operator crane. It was responsible for many thousands of dollars worth of damage to sets and other equipment over the past three decades! I feel like I am hijacking my own thread here Mal
I've got a camera, it's black. I've got some lens, they are black as well.
A great concept well executed Mal. I reckon it's fine as it is
Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
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