Coffs Harbour

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Coffs Harbour

Postby Reschsmooth on Fri Jan 04, 2008 9:35 pm

Driving back from Brisvegas, we spent 5 relaxing days in Coffs.

Here are some images for which I would appreciate some C&C. As you can see, I have been trialling some PP effects as well.

1. Selective blur

Image

2. First attempt at HDR

Image

3. Coffs Jetty from Mutton Bird lookout

Image

4. A 14 shot pano from atop Mutton Bird lookout (click for larger image)

[Image

Photos of Alex to come (cause I just know everyone loves baby photos :wink: )
Regards, Patrick

Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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Postby garyr on Fri Jan 04, 2008 9:43 pm

Patrick,

Absolutely love the first one! It has a "train set" kind of feel, I think they call this miniaturisation effect "tilt-shift" photography. Was this the effect you were trying to achieve? Would really appreciate if you could share a bit about how you processed this.

Very well done on the others too, thanks for sharing.

Cheers
GaryR

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Postby Reschsmooth on Fri Jan 04, 2008 9:52 pm

garyr wrote:Absolutely love the first one! It has a "train set" kind of feel, I think they call this miniaturisation effect "tilt-shift" photography. Was this the effect you were trying to achieve? Would really appreciate if you could share a bit about how you processed this.


Thanks Gary

That is exactly the effect I was aiming for (I did rush this one). I think these shots are best done when the light is more side on.

Basically, my process was:

1. Increase brightness of image.
2. Increase saturation
3. (In this case) I used channel mixer (red -50, green +200, blue -50) to get the yellow/orange colour in the foliage to warm it up a little.
4. Applied a gaussian blur.
5. Using the history palette, I clicked on the last step before the gaussian blur, but selected the gaussian blur action.
6. I then used the history brush to pain the blur on the outer the areas I wanted to soften.

I like this effect and want to refine my process.

THanks for the comments.
Regards, Patrick

Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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Postby Reschsmooth on Sun Jan 06, 2008 8:04 pm

Great tute - thanks for posting it.

A very simple process - I applied it to this one for a bit of fun. :D
Regards, Patrick

Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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Postby Mal on Sun Jan 06, 2008 9:51 pm

!~DeViNe~DaRkNeSs~! wrote:here's a link u may be interested in about "fake" tilt-shift :D


Great link thanks!
Mal
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