A different kind of lightpaintingModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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A different kind of lightpaintingTaken at our work Christmas party - was playing around with front and rear sync flash and low shutter speeds.
C&C appreciated All at ISO100 1 second, F/32 1 second, F/16 1 Second, F/11 1/2 Second, F/8 Last edited by dviv on Tue Jan 12, 2010 3:25 pm, edited 1 time in total.
7D, 60D, 70-200mm f/4LIS, 17-50mm f/2.8, 10-22mm f/3.5-4.5, 50mm f/1.4, 100mm f/2.8 Macro, 580EX II
Re: A different kind of lightpaintingWow - very effective! The flame trails in the second shot are amazing, almost 3D. Great job on these dviv!
Simon
D300 l MB-D10 l D70 l SB-800 l 70-200 VR l TC 17-E l 18-70 f3.5-4.5 l 70-300 f4-5.6 l 50 f1.4 l 90 Macro f2.8 l 12-24 f4 http://www.redbubble.com/people/manta
Re: A different kind of lightpaintingawesome job you nailed it
Wendell Levi Teodoro
My Agents Press - Getty Images Creative Rep - T.I.D. FashionID, DBP Productions & The Nest Agency My Book - Zeduce
Re: A different kind of lightpainting
Well done!
Re: A different kind of lightpaintingThe second is definitely my favourite... I enjoyed all of them though.. its so nice to see something different for a change!
The last thing I want to do is hurt you... but it's still on the list...
Re: A different kind of lightpaintingI really like the #1...this reminds me I should get back into contact with the firetwirlers that i know and see if I can line up some sort of night shoot.
Cameron
Nikon F/Nikon 1 | Hasselblad V/XPAN| Leica M/LTM |Sony α/FE/E/Maxxum/M42 Wishlist Nikkor 24/85 f/1.4| Fuji Natura Black Scout-Images | Flickr | 365Project
Re: A different kind of lightpaintingman, get a load of those fire-balls in the second shot, you got any eyebrows left?
I really like the first image, I like the way the person is frozen in the frame by the flash (?) I think this works better than slightly blurred persons - but I understand how hard this is to achieve.
hmm, i gotta get an invit to the next one, either that or get your social coordinator to talk to mine gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: A different kind of lightpaintingIsn't rear curtain sync a lot of fun?
g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Re: A different kind of lightpaintingGreat shots, especially #2. Firetwirling is interesting to shoot as you can get two disticntly different types of shots, the first, like yours with losts of ambient light and then the black shot with mostly only the fire trails. Like this.
Craig
Lifes journey is not to arrive at our grave in a well preserved body but, rather to skid in sideways, totally worn out, shouting, "Wow what a ride." D70s, D300, 70-300ED, 18-70 Kit Lens, Nikkor 105 Micro. Manfrotto 190Prob Ball head. SB800 x 2.
Re: A different kind of lightpaintingThanks for all the comments everyone!
Yes! Although I found front curtain a bit more reliable when the twirlers were moving around and I was trying to get their faces in the shot.
Great shot Craig, Thanks for the link.
Having 2000 staff in Sydney alone helps
Definately! I'm in 7D, 60D, 70-200mm f/4LIS, 17-50mm f/2.8, 10-22mm f/3.5-4.5, 50mm f/1.4, 100mm f/2.8 Macro, 580EX II
Re: A different kind of lightpainting
That sounds more like a general issue with regard to actually getting the image, rather than rear vs front curtain sync. With front curtain sync, you will get interesting effects, such as the light trails leading the item making the trails, rather than following them. To really understand what I'm talking about, wander out to a busy street at night with a camera and a tripod, and shoot longer exposures of the cars moving down the road. Toggle between front and rear sync, and celebrate the differences. g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Re: A different kind of lightpainting
Been there, done that I meant that when the person with the fire is moving around a lot (ie dancing AND twirling fire) it is much easier to time the flash when you hit the shutter, rather than trying to anticipate where they will be once the rear curtain arrives. 7D, 60D, 70-200mm f/4LIS, 17-50mm f/2.8, 10-22mm f/3.5-4.5, 50mm f/1.4, 100mm f/2.8 Macro, 580EX II
Re: A different kind of lightpaintingNicely done David!! Love those 3D effects on the 2nd as already commented.
Any chance of the exifs for our education??
Did you try any with camera on bulb and flash on manual control with trigger of the sorts? You could get a combination of rear and front curtain.? By timing the flash and closing the shutter, you could control the relative contribution of each.
Please also get them to contact my people.
Re: A different kind of lightpainting
They are a bit of a mixed bag - I've edited the main thread with the exposure values
No but I like the idea! - might be something to try at the meet Cameron is cooking up The other issue with these is camera shake - I was not able to use a tripod so these were all handheld and there's no way I'm getting a stable shot at 1 sec handheld 7D, 60D, 70-200mm f/4LIS, 17-50mm f/2.8, 10-22mm f/3.5-4.5, 50mm f/1.4, 100mm f/2.8 Macro, 580EX II
Re: A different kind of lightpainting
Ahhhh .... I see. There's a technical term for that. g.
Gary Stark Nikon, Canon, Bronica .... stuff The people who want English to be the official language of the United States are uncomfortable with their leaders being fluent in it - US Pres. Bartlet
Re: A different kind of lightpainting
Do Tell! 7D, 60D, 70-200mm f/4LIS, 17-50mm f/2.8, 10-22mm f/3.5-4.5, 50mm f/1.4, 100mm f/2.8 Macro, 580EX II
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