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by Remorhaz on Mon Feb 13, 2012 7:43 pm
Went on a photowalk with some other enthusiasts on the weekend and as we were down on the harbour under the bridge at twilight figured I might as well do the unthinkable and have another go at butchering the icons... SHB  SOH  and to end the night to keep with the acronym theme - up close and personal with the massive cruise ship docked at the OPT  (the last my first edit with Lightroom 4 to locally WB adjust the colour cast from the cold LED lightpainting of the bollards and mooring lines)
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Remorhaz
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by aim54x on Mon Feb 13, 2012 9:04 pm
Icons butchered!! Seriously, these are pretty well done technically, but I am unsure about your physical vantage point used for the first.
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aim54x
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by Matt. K on Mon Feb 13, 2012 9:54 pm
I actually like the first image very much. It drags the eye in and it shows a slightly different view from the run of the mill postcards shots. All very nice technically though the Opera House suffers from the empty foreground syndrome.
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by Remorhaz on Tue Feb 14, 2012 8:55 am
aim54x wrote:Icons butchered!! Seriously, these are pretty well done technically, but I am unsure about your physical vantage point used for the first.
Thanks Cam - I think It's more that it's nearly impossible to do something interesting/different with them. I was on safe and solid ground I assure you  Matt. K wrote:I actually like the first image very much. It drags the eye in and it shows a slightly different view from the run of the mill postcards shots. All very nice technically though the Opera House suffers from the empty foreground syndrome.
 - should have pushed someone in maybe to get them in the foreground?  they'd have to hold still for sixty seconds of course...
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by aim54x on Tue Feb 14, 2012 9:05 am
Remorhaz wrote:I was on safe and solid ground I assure you 
That may have been the problem..... Matt. K wrote:I actually like the first image very much. It drags the eye in and it shows a slightly different view from the run of the mill postcards shots. All very nice technically though the Opera House suffers from the empty foreground syndrome.
 - should have pushed someone in maybe to get them in the foreground?
That may solve the empty foreground problem........not sure if you will be liked for it though
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by ian.bertram on Tue Feb 14, 2012 1:47 pm
The first is lovely with the great reflections. What about pp and straightening the wide angle spread of the bridge and buildings? Ian
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by Remorhaz on Sat Feb 18, 2012 8:19 am
ian.bertram wrote:The first is lovely with the great reflections. What about pp and straightening the wide angle spread of the bridge and buildings?
Thanks Ian - do you mean straightening up the buildings on the far shore? Because I shot upwards and at an angle I'm not sure this will work well since the distortions will be uneven across the frame.
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