Industrial Sunset Sand GoannaModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Industrial Sunset Sand GoannaProbably not quite what you thought it was gonna be huh?
gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: Industrial Sunset Sand GoannaNice find with the first - I like the long exposure action in the sky and water and I really like the goanna but I'm not sure the two parts go together - the bottom part is a really nice picture on it's own as is the top but the two together? if you know what I'm getting at? Update: I've taken a second look and I'm warming to the combination
#2 is perhaps a bit of the same - I really love the textures and shadows around the wood and surrounding sand (I think you could do a detailed view of just that) - but that hard dark wall on the right and the sky and clouds compete so much #3 - I like the idea of the shell but I reckon you needed to be closer to it (or not included it at all and just had those very cool wavy lines in the sand) - it looks a little too oof at the bottom too (almost like some bad clonage happened)? #4 is not really making it for me - + too much magenta? D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Industrial Sunset Sand Goanna#1 He needs a beret. Also, I agree with Remorhaz. I see two pictures here, but not one.
#2 Lose the Goanna, and maybe tone back the saturation a tad for me #3 I'd lose the sky almost entirely. #4 Doesn't do much for me either. Can't say why. Probably a lack of POI. As a prime example of the target audience for the new Leica, I can't comment on the colour cast Greg
It's easy to be good... when there is nothing else to do
Re: Industrial Sunset Sand Goannacheers for the feedback.
I do have a landscape version of teh same thing that would probably appeal more for you guys, however I am going thru a portrait orientation phase atm hence i wanted that sky as a primary focus, however i see that the two components do compete.
same as above - the black walkway is just one aspect that cannot be avoided here, it does block the image somewhat..
believe it or not, the reds and saturation in the clouds has been dialled down! it was pretty intense.
with teh wide angle, i could not get much closer, the OOF bits on teh bottom are because the camera was so close to teh ground, outside the hyperfocal range i guess. i actually threw the shell in there for kicks and giggle (note the disturbed sand), the one with nothing but sand felt, well empty to me..
hmm, yes, i like that idea, standby on that.
interesting, i don't see much of a cast there and teh image was warmed up quite a bit, the post sunset glow was very blue and cool from teh left side of the image - i may try and beat that lower part of teh image over teh head with some cast correction and see what transpires.
fair call.
haha, and so he should after i told him to straighten up. again, cheers for teh feedback. gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: Industrial Sunset Sand GoannaGerry
Big thumbs up on #1. That's a great example of how it's the photographer, not the camera. It took you to see the "goanna" and compose accordingly. Superb and the sky doesn't bother me. Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
Re: Industrial Sunset Sand GoannaGerry,
I reckon by doing a bit of judicious croppage, you can keep the iguana and the sky in both #1 and #2. #2 might even lend itself to a square crop. I really hope you brought the iguana home with you. I reckon we can use that in any beach we go.... re: shell, nice idea to include it! But that image overall is the weakest. #4 is too busy and most importantly, the elements seem to clash too much. Perhaps that's art??
Re: Industrial Sunset Sand GoannaI was going to suggest a square crop for the first as I feel there is too much sky, but somebody has already done that!
#2 & #4 are not hitting the spot for me , # 3 has potential too and deserves further exploration with cropping maybe even a B&W conversion. Fuji X-Pro1 | X-E1 | X-T1 | XF14 | XF23 | XF27 | XF35 | XF56 | XF60 | XF10-24 | XF18-55 | XF55-200 | MCEX-11
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Re: Industrial Sunset Sand GoannaI am warming to this version.
gerry's photography journey
No amount of processing will fix bad composition - trust me i have tried.
Re: Industrial Sunset Sand Goanna
Better I think - but I reckon this does make the sky look more dropped in - it's obviously not but... it doesn't look natural to me D600, D7000, Nikon/Sigma/Tamron Lenses, Nikon Flashes, Sirui/Manfrotto/Benro Sticks
Rodney - My Photo Blog Want: Fast Wide (14|20|24)
Re: Industrial Sunset Sand GoannaI like the square crop better too, but I reckon try taking about 1cm off the bottom bring the 'goanna' nearer to the edge of frame and increase the sky by the same amount.
Fuji X-Pro1 | X-E1 | X-T1 | XF14 | XF23 | XF27 | XF35 | XF56 | XF60 | XF10-24 | XF18-55 | XF55-200 | MCEX-11
http://gmarshall.zenfolio.com http://xtographer.weebly.com
Re: Industrial Sunset Sand GoannaThe fire in the sky in #2 is awesome....took me awhile to find your goanna though...I kept looking for a smaller one
Cameron
Nikon F/Nikon 1 | Hasselblad V/XPAN| Leica M/LTM |Sony α/FE/E/Maxxum/M42 Wishlist Nikkor 24/85 f/1.4| Fuji Natura Black Scout-Images | Flickr | 365Project
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