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by Reschsmooth on Mon Nov 05, 2012 8:57 am
I had a rare afternoon to myself so went for a drive with the Cambo and D800. I tried to duplicate the shots, to an extent, using both mediums. Unfortunately, and tragically, I dropped my 8 stop ND filter. I was devastated and pissed off to say the least. I managed to grab a couple of shots with it before the unfortunate event. The Harbour shot with the Cambo is a 31sec exposure (I was happy that I managed to apply a reciprocity factor for the long exposure, apply a passing comment on the net with respect to development times for FP4+ pulled to EI65 and get a good neg). The decent breeze caused a little bit of movement, upon close inspection. Anyway, here are the Harbour shots: The sharpness and dynamic range of the D800 is truly astonishing. Even with the 24-70, the ability to render fine detail makes this a fantastic surveillance camera.   Cambo version:  The first of these was shot with the Cambo. Again, I was happy with the result as I solely relied on my understanding and application of the Zone system using my Pentax spot meter. I metered the darkest shadow detail at bottom right and placed that at Zone II, metered the brightest section, which was about 6 stops brighter than the shadow, so it fell nicely at zone VII. (I have since blocked up the shadow detail in my rush this morning to get the scans online). I haven't cleaned up this one.  D800 version (better composition, in my view):  Criticism welcome.
Regards, Patrick
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Reschsmooth
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by biggerry on Mon Nov 05, 2012 10:04 am
I like the third image Patrick, however the high key/bright look is putting me off, I think dialing back the exposure and pushing the contrast just a bit would make it better in my eyes.
Spewing about your ND filter, that sucks...
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by Reschsmooth on Mon Nov 05, 2012 10:40 am
biggerry wrote:I like the third image Patrick, however the high key/bright look is putting me off, I think dialing back the exposure and pushing the contrast just a bit would make it better in my eyes.
Spewing about your ND filter, that sucks...
You're right on both counts. I will recook the 3rd one.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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by Remorhaz on Mon Nov 05, 2012 11:20 am
Hi Patrick - with the trainline shots I much prefer the first (Cambo) - it just looks - I don't know - nicer  the tones, contrast, etc - it even looks sharper - all good for me
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by aim54x on Mon Nov 05, 2012 5:17 pm
A very interesting comparison...I have to admit that the two cameras certainly have different and distinctive looks, but to pick one as being better really is difficult.
I will have to go with the consensus on the #3
Shame to hear about that ND filter.....
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by Reschsmooth on Mon Nov 05, 2012 5:27 pm
Thanks chaps. Rodney, the St Leonards image on the D800 is super sharp. Zooming into the Forum building shows remarkable detail - it would have been fun had anyone been on their balcony doing something 'of interest'. 
Regards, Patrick
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by Reschsmooth on Tue Nov 06, 2012 6:23 pm
Here is a version of the third with greater contrast. I wanted to ensure I didn't block out the shadows. Thoughts? 
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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by Matt. K on Tue Nov 06, 2012 6:45 pm
Regards
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by Reschsmooth on Tue Nov 06, 2012 6:50 pm
When I get my 4x5 neg holder and some potassium bromide (I think!), I can show you a 16x20 print on Agfa Multigrade RC paper.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
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by biggerry on Tue Nov 06, 2012 9:22 pm
The rework looks better Patrick, just for some more food for thought how about... 
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by aim54x on Tue Nov 06, 2012 11:38 pm
what Gerry said!
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by Reschsmooth on Wed Nov 07, 2012 6:28 am
The crop is a good idea, however, I think it needs at least equal weight between the sky and water given similar tonality and, given I will be looking to print this in the darkroom, I am looking to preserve the 4x5 relationship or at least a 1:1.33 relationship.
Regards, Patrick
Two or three lights, any lens on a light-tight box are sufficient for the realisation of the most convincing image. Man Ray 1935.
Our mug is smug
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Reschsmooth
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by biggerry on Wed Nov 07, 2012 10:29 am
Reschsmooth wrote:The crop is a good idea, however, I think it needs at least equal weight between the sky and water given similar tonality and, given I will be looking to print this in the darkroom, I am looking to preserve the 4x5 relationship or at least a 1:1.33 relationship.
I thought that might be the case 
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