PortraitModerators: Greg B, Nnnnsic, Geoff, Glen, gstark, Moderators
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Please note that image critiquing is a matter of give and take: if you post images for critique, and you then expect to receive criticism, then it is also reasonable, fair and appropriate that, in return, you post your critique of the images of other members here as a matter of courtesy. So please do offer your critique of the images of others; your opinion is important, and will help everyone here enjoy their visit to far greater extent. Also please note that, unless you state something to the contrary, other members might attempt to repost your image with their own post processing applied. We see this as an acceptable form of critique, but should you prefer that others not modify your work, this is perfectly ok, and you should state this, either within your post, or within your signature. Images posted here should conform with the general forum guidelines. Image sizes should not exceed 950 pixels along the largest side (height or width) and typically no more than four images per post or thread. Please also ensure that you have a meaningful location included in your profile. Please refer to the FAQ for details of what "meaningful" is.
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PortraitHI everyone haven't posted anything in a while as I am am having trouble handling the camera because of a damaged shoulder. However, I did manage to get a few shots at a family get together the other week this one of my number 2 daughter.
D300, ISO 1600, 50mm 1.4 @ f/2, 500s Lightened the shadows a fraction in Lightroom 4 then did noise reduction in Nik Define2 to get the soft look Craig
Lifes journey is not to arrive at our grave in a well preserved body but, rather to skid in sideways, totally worn out, shouting, "Wow what a ride." D70s, D300, 70-300ED, 18-70 Kit Lens, Nikkor 105 Micro. Manfrotto 190Prob Ball head. SB800 x 2.
Re: PortraitI don't think it works as well as it should. I like the
expression of the subject and also the shallow depth of field. I like this technique. Because the light is coming from a window and the face is in the shadow away from the light I find it distracting. My eyes tend to go towards the brightest part of the picture, which is an uninteresting empty white. If the light were coming through a light or curtain forming a pattern giving a context to the subject it would have worked better. As I said before, I like this type of portraits and I think it worth exploring further variations.
Re: PortraitThanks for the comment so I have tried a version with the bright area brushed out with -100 on the highlight and -1 stop on the exposure. Do you think it is an improvement or should I really see if I can layer in some sort of pattern in PS?
Craig
Lifes journey is not to arrive at our grave in a well preserved body but, rather to skid in sideways, totally worn out, shouting, "Wow what a ride." D70s, D300, 70-300ED, 18-70 Kit Lens, Nikkor 105 Micro. Manfrotto 190Prob Ball head. SB800 x 2.
Re: PortraitCraig
This is one of the more unusual portraits I have seen in a long time. It is bloody difficult to get a pose and technique combination together that can achieve this. The model doesn't look real....more like a store dummy and this is probably because of your processing and other treatment....but that is not a bad thing if that's the effect you were after. The composition is radical and the curves within curves helps to hold the elements together. The eye is the hook and the direction of the gaze is slightly off putting, or uncomfortable. This image would work best if it were exhibited an a large scale as that would open the shadows a little....I think the dominant eye needs a little work....the whites should be cleaned up and brightened a tad and the iris needs a little more contrast. Congrats for posting a portrait that avoids clichés. Regards
Matt. K
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