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NEF---> JPG PS vs NCHi,
While PPing some NEF files last night, I noticed that when I opened a NEF file in NC most photos looked much sharper than those opened with ACR in PS. Is it because NC applies parameters tagged to NEF files, such as sharpening or is there more to know? Because of this difference I now do the initial conversion in NC and open the resulting JPG or TIFF in PS CS for fine tuning. Thanks Alex
Alex,
That is an interesting one. If in-camera sharpening is turned on, it will probably be as you say. If your camera indicates "0 Normal" (default) sharpening in Optimise Image, it is on - "none" is right at the bottom of the list. Fairly easy to get caught by this one - the zero would normally mean none, but not when it comes to cameras. Best turned off with NEF. Were you comparing the images side by side at 100%? Cheers Matt
Thanks Guys.
Matt, I had the in-camera sharpening turned on to 'medium high'. I was just comparing images at 25 % of the full size and the difference was quite aparent. I think PS ignores all in-camera PPIng when dealing with NEFs. Dave, I used to do the same (send file to PS after initial NC adjustments) but this difference that I observed last night was after I did the adjustments in NC (before saving) and sent it to PS. What I saw in PS window was very inferior to what I saw in NC. I think one has to save in a format other than NEF after NC, for some settings to be applied properly in PS CS. WB and Exp. comp. certainly get transferred without problems to PS, but not so for the in-camera sharpening or the custom curve. My favourite way has now become to save as JPG in NC (although 16-bit quaility is lost) and then deal with the resulting JPG in PS. TIFF allows work around re 16-bit but the file size is apauling I am not quite confident if I am correct on the point that if you import NEF from NC to PS you lose some of the tags as I did not notice it before, but the difference I noticed last night for the first time was astonishing. It does make sense though as PS is known to ignore custom curves too, so why would it take care of in-camera settings like sharpening. Of course WB and Exp. comp seems to be universal and gets transferred to PS anyway. Anyone has any comments on this issue? Cheers Alex
Just to add, Dave. Of course if you don't want any of the in-camera PPing like custom curve or sharpening to be applied and you will deal this in PS anyway, then what I said about importing from NC to PS is to be ignored. As a newbie though I find custom curve and some in-camera sharpening to be useful although it defeats the original purpose of RAW.
Alex
I often wonder about the format of saving. I save in PSD (photoshop format) because it seemed like a good idea. Why should I save in this format as opposed to NEF or TIF (file size?) or another for that matter? PSD seems to work and saving doesn't look to degrade the image, so I'll continue to do that until someone convinces me differently.
Re: NEF---> JPG PS vs NC
Alex - NEVER use jpeg as an intermediate format as it is lossy so you have less data to work with. TIFF is lossless so better. The difference you notice is really an artifact of using two different raw interpreters. The Nikon one is better since they know more about the format For this reason I use just NC when I can since I can do most PP there. I have purchased the Nik Color Efex filters for NC to round out NC's functionality and unless I need to do cloning or fancy layer stuff NC is a one stop shop. If I want to use PS CS then I work on (a copy of) the NEF and avoid NC completely. To see an example of NC only work (using nik filters) have a look at these two images (click the image for the larger versions): Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
What I usually do is use NC, make changes necessary and then save to TIFF 16Bit per channel. I used to use the Open Photoshop feature from NC but this sometimes crashed PS:CS. Once saved as a PSD you won't lose any image quality as it saves it as raw data with no lossless compression. As for file sizes, it all depends on the resolution and how many layers you have. Seeing as no compression is performed on the image you can end up with some hefty files.
As stubbsy said, use NC as the RAW reader there is made by Nikon, whereas the one by Adobe is either reversed engineered or based off of code or tech data given to them from Nikon. Which can always be interpreted or implemented incorrectly by others. I had an article on the differences between loading RAWs via NC or via PS. The differences were quite substantial and made me think twice about using PS Raw. Stubbsy, nice butterfly. These critters always decide to fly away after Im setup and ready to take the shot. Last edited by kipper on Tue Apr 05, 2005 11:15 am, edited 1 time in total.
Darryl (aka Kipper)
Nikon D200
Re: NEF---> JPG PS vs NC
Hi Alex, The behavior you observed would be expected, for the reasons you guessed. NC opens the image using the default parameters tagged in the camera. PS CS, using ACR, ignores all of Nikon's flags and opens it as a base raw file. my gallery of so-so photos
http://www.pbase.com/kerrypierce/
Peter,
Wonderful images. Thanks and thanks for the advice on NC vs PS. I must say, I am very inclined to follow your advice. What I saw yesterdays compliments very well what you are saying above re different RAW converters treating NEFs differently. I am somewhat surprised though that NC has 'send to PS' function, yet you have to start pretty much from the scratch once in PS as apart from WB and exp.comp all the other settings seem to be ignored. What do those Nikon colour filters do? Cheers Alex
Alex I bought the 45 filter Select Edition version from Adorama for US$89.95. This link is at Adorama and gives most details. Also check out the Nik site here Peter
Disclaimer: I know nothing about anything. *** smugmug galleries: http://www.stubbsy.smugmug.com ***
Stubbsy,
Thanks for the link. I have the PS version of Nikon Color Efex standard which came with my spyder. I did not know that the Nikon version was even available. The other stuff on that page looks interesting too. Cheers Matt
That's what I thought until last night too, Matt. You may well be right, but I cannot find an explanation for the difference between PS and NC windows I saw on one of my images. I will do some more tests tonight with other photos and see. May be it was just a one-off. Cheers Alex
I am not sure on this one. I think if you used sharpening in-camera on a NEF it would only be recognised in NC. But if you do sharpening manually in NC and import the image into PS, it should get recognised. I never used sharpening in NC, only in-camera and USM in PS when PPing. I think the difference I saw between PS and NC is due to PS ignoring in-camera sharpening and custom curve. Alex
If the NEF is edited in NC then saved as NEF, then opened eith ACR, sharpening is ignored. If the NEF is sharpened in NC then transferred to PS (or saved as TIF and opened in PS) the sharpening is respected. No choice really. As mentioned NC processes to TIF prior to transfer. Here is something to try. Crank up the sharpening 100,100,0 in NC, transfer to PS, resize your windows so that the two images can be placed side by side. The images should be identical. Photoshop is generally regarded as having the better sharpening methods. To be honest I can get similar results from either. Cheers Matt
Alex, Spot on. To be a little pedantic, it is ACR that ignores curves... Just for the sake of clarity. EDIT: In-camera sharpening or USM will be recognised and treated the same if exporting from NC to PS. If opening the NEF with ACR both are ignored. Also try comparing unsharpened images. ie turn off the NC sharpening in Advanced RAW and compare it to the image in ACR. It will be tone curves and ACR calibration that will be the difference. IMO, ACR is not exactly a tool for newbies. Just getting the thing calibrated can be an exercise in frustration. Adding to this the other issues of monitor calibration, colour management.... Aaargh! The learning curve is steep. I always recommend NC to start with, then work into ACR once everything else is sorted. Personally, I prefer NC for initial WB & EV adjustments when needed. ( I may also use CurveSurgery for replacing/modifying tone curves - main reason I use NC) I will work my way through a folder of shots saving as RAW, then batch convert the whole lot to TIF for PS. I do not use PSD because it is not supported by NC - once it is TIF it stays TIF. File sizes are close enough to identical (TIF vs PSD). Cheers Matt Last edited by MattC on Tue Apr 05, 2005 1:47 pm, edited 1 time in total.
[/quote]
As mentioned NC processes to TIF prior to transfer. [/quote] Matt, Are you sure on this one, I mean TIF? When I do "send to PS", PS CS window title says; filename.NEF but by-passes ACR preliminary window. What about the in-camera settings though? Are they ignored even when sent from NC to PS? Sorry for being an annoyance but I want to get this right. Thanks Alex
Matt, sorry mate, didn't see this reply first. Ok, I am a bit clearer on this one now. Makes sense. I started using ACR first ignoring the NC altogether. You hit the nail on the head I think. ACR looks very easy to use, but it's not and I heard other people on DPreview mention that NC gives sharper images than PS and doubt it. Now, I realise that RAW in PS requires more skill than that in NC. One thing left for me to clarify is I am astonished that in-camera setting are lost even after you export the open NEF to PS thus avoiding the initial ACR window. This is at least the conclusion I came to after seeing two windows side-by-side of the NEF opened and corrected in NC and one sent to PS. The image in PS looked much blurier. I guess the in-camera sharpening was ignored even at that stage. I now absolutely agree with you on newbies like me using NC to do WB and exp. comp. Curves recognition is another great advantage which can be used in conjunction with curve surgery. Then I would save the result as TIFF (not exprt to PS) and re-open the TIFF in PS for futher PPing. Thanks again Alex
As mentioned NC processes to TIF prior to transfer. [/quote] Matt, Are you sure on this one, I mean TIF? When I do "send to PS", PS CS window title says; filename.NEF but by-passes ACR preliminary window. What about the in-camera settings though? Are they ignored even when sent from NC to PS? Sorry for being an annoyance but I want to get this right. Thanks Alex[/quote] Alex, I am certain. Transfer from NC using the Photoshop button and the file is Filename.tif (but sometimes reverts to untitled. no extension). If the same file is opened in ACR it has the NEF file extension. Matt
Something weird there Alex. I transfer my open NEF from NC to PS as a TIF and the image is identical. The image was shot with in-camera sharpening. No annoyance. I have been there. Cheers Matt
Matt, Are you sure on this one, I mean TIF? When I do "send to PS", PS CS window title says; filename.NEF but by-passes ACR preliminary window. What about the in-camera settings though? Are they ignored even when sent from NC to PS? Sorry for being an annoyance but I want to get this right. Thanks Alex[/quote] Alex, I am certain. Transfer from NC using the Photoshop button and the file is Filename.tif (but sometimes reverts to untitled. no extension). If the same file is opened in ACR it has the NEF file extension. Matt[/quote] Thanks, Matt. I will test this tonight. I deifinately remember the filename being untitled, but will check re extension again. Hopefully the images will be identical. I wonder if the difference is because of different colour porifle. My NC uses the default Nikon sRGB or something to that tune, but PS is set to sRGBI...... (typical monitor). Cheers Alex
Thank youA big thank-you to everyone involved in this thread. You sure did clarify a lot of things for me.
Matt, You are absolutely right regarding the files being imported as TIF into PS and also the file looked exactly the same in NC and PS CS and it makes sense as it by-passed the ACR. I think what happened last night is I chose 'Save as NEF and open with PS" option which would go through the ACR and ignore all the in-camera tags. I'm having a cold one to celebrate this clarification. Cheers Alex
Thanks, makes sense!
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